Short post this week - I posted my SHOUT! teaser video to a mobile filmmakers group I'm a member of on facebook and got into a conversation about the Movi in the comments - shortly afterward Simon Horrocks of the Mobile Motion Film Festival reached out to me and asked if I would be up for writing a post for their website, so that's what I did with this week's "blog writing" time.
As you may have noticed over the last few months worth of blog posting, I was quietly agonizing over which mobile phone stabilizer to buy myself when it was finally time. I finally settled on the Movi, and this article sums up my main reasons for that. Click the image above to read it or you can check it out here.
So last week I went into some detail about the gear I got to see and play with at National Association of Broadcasters Convention last month in Las Vegas - if you missed that post, check it out here.
The other thing that's really fantastic about NAB is the knowledge you can pick up. Like last year, I participated in Post|Production World (P|PW) this year too and the sessions were just as interesting - and then there's "all badge" access sessions like the Star Wars talk where they went into detail about the character design of those crystal fox things from The Last Jedi (I'm guessing they talked about some more than that, but I came in late - if someone can remember what those cool creatures are called, let me know in the comments below).
Of course the tough question - where to start? Last week I told you I'd go into some detail on DaVinci Resolve 15 - so lets start there:
A couple weeks ago, I traveled to Las Vegas for the National Association of Broadcasters (NAB) convention. It’s held every April and all the major gear and software vendors (and countless smaller companies) show off the best of what they’ve got in the world of video and film production. And then on top of that there’s the educational elements, this year I took part in the “Post | Production World” (P|PW) set of sessions, and I also traveled out there with a good friend from school, Jared. It’s always interesting to get a different perspective on what we see at the show. As most of my experience is video production and most of his is audio, we look at different pieces of the convention through a different lens so to speak.
Of course I could go on forever about what I learned at any one year of the convention, but I'm going to try and keep as concise as possible and limit it to just this week and next week's posts. Lets see how well I do at that. This week I'm going to focus on the gear, next week I'll dig into some of the other stuff I learned out there.
So as you know, last week I was out at the National Association of Broadcasters (NAB) Convention in Las Vegas. Though NAB has long ago stopped being just about broadcasting, its filled with sessions about all kinds of film and post techniques, and of course all the major gear manufacturers for all kinds of products related to "the industry" - plus networking opportunities.
And as usual, when I get back from being away from the office for a solid week, I hit the ground running Monday morning and haven't hardly had time to breathe, let alone collect my thoughts and go through all the information I picked up out there. So instead of a full blog post I'm going to start with what I guess could be called a "teaser".
Basically, in this post I'm going to post pictures of some of what stood out to me while I was out there at the convention, and if you want to know more about any particular image/piece of gear let me know and I'll include it in my blog post for next week which will have more pictures, and more detail (and some video too!) - I apparently just didn't have time to write a "real" blog post this first week back. So scroll down and let me know in the comments below if anything catches your eye:
Thomas Meek is an independent filmmaker living and working in Houston, TX