One more project off the list! I've finally finished my edit of the Titus Andronicus production at Clear Creek Community Theatre from summer 2017.
It took a littler longer than expected, partially because it kept getting put on hold to work on other things, but I finished it the other day, and I'm glad to be moving on to the next project. Unfortunately I can't post the full show here, because of some rights issues with music. (The theatre has different rights/rules for stage than video), but they will be posting a few different scenes in the near future. However, I've got a sneak peak here for you all who follow the blog - check it out:
The Sony FS5 is a camera I've had my eye on since they announced it. For the type of projects I generally gravitate to, its just about perfect (at least on paper), and as I've been saying for a while now - if I had a project that justified it, I'd buy one in a heartbeat. Well, I haven't bought it, but a couple weeks ago we (TPC) rented a couple FS5s for a project we were shooting for Bloomberg. Of course I also took the time to learn the camera a little ahead of time and shot some test footage down in Galveston.
Disclaimer: these are my thoughts after having my hands on the camera for about 3 and a half days of shooting, and then quickly running my test footage through post. While it gave me a good idea of the camera's capabilities, its by no means completely comprehensive. I always tell anyone who asks, never just buy a camera you've never used - find an excuse to rent it for a few days and shoot some tests. LensProToGo has them available to rent at a great price.
That out of the way, here's what I've learned - we'll start with the how it performed in the setting we rented the cameras for, and move on to the fun stuff in a minute, so if you came here for slow-motion and beachfront off-roading, just scroll on down past the news gathering.
Along with the crazy couple weeks I've had at work, I've also had a few fun, but quick projects I did for Clear Creek Community Theatre that I thought I'd talk about a little bit:
First of all, there's the early publicity stills I shot for The Complete Works of William Shakespeare (abridged) [revised] last week, which is the next show on the CCCT stage. The director, Steve Sarp, had an idea for publicity to put the Groucho Marx glasses prop on Shakespeare, I then suggested actually photographing the image on the Shakespeare bust that sits on the piano in the lobby at CCCT.
The pictures turned out better than I had hoped:
UPDATE - 3/8/18, 12:50PM: So the last week totally got away from me, so much so that along with not having what I'd planned on sharing this week anywhere near presentable, I also totally forgot to actually share this post more than once on either Facebook or Twitter. So lets try this again, and I'll have some cool stuff to share next week, I promise!
Thomas Meek is an independent filmmaker living and working in Houston, TX